A site for sharing the webs best jazz transcriptions
Brubeck recorded a fair bit of solo piano and while he’s not one of my favourite piano players out there he had a terrific combination of freedom and swing that makes his music infectious once to start to listen to it.
This track perfectly exemplifies Dave’s solo playing over a ballad – lots of use of harmonic devices and stride like left-hand devices. Definitely worth a bit of study this, enjoy!
Posted on 25 September '11 by admin, under piano. No Comments.
The album ‘Eloquence’ was actually published posthumously – probably because of the fact that while half the CD consists of four good duets tracks with bassist Eddie Gomez (of which Gone With The Wind Is One), the other half of the CD is just a few thrown together tracks that Bill probably didn’t want releasing after they were recorded. Still, an average Evans disc is still worth having, and this particular version of Gone With The Wind is one of the best tracks on the disc.
Posted on 17 September '11 by admin, under piano. No Comments.
‘Speak No Evil’ is one of the truly great modern jazz albums – brilliant writing combined with superb improvisational acumen. This ace transcription courtesy of Bert Ligon has concert versions of Wayne Shorter, Freddie Hubbard and Herbie Hancock playing through the changes. Just brilliant stuff, enjoy.
Posted on 5 August '11 by admin, under piano, sax, trumpet. No Comments.
Listening to this tune always makes me remember watching that great old TV show as a kid. Bob’s known as one of smooth-jazz’s first pioneers, but this is actually a great tune to play, especially on anything with a good Rhodes patch. If you’ve never come across this tune before, there are several YouTube vids, like this one, where you can listen to it. Sweet.
This Keith Jarrett transcription is a great example of how his trio really make a standard their own. Has a really catchy vamp to open the head that is simple but really nice! I found this transcription lurking around – it’s not my own so apologise for not knowing where it’s come from (if it’s yours, I’m happy to credit you!).
I’ve cut out the 3 minute drum solo that opens the track (sorry Mr Dejohnette) just to keep the MP3 file size down a bit for you. Enjoy!
I like Kenny Barron. But I also like Stan Getz. But which one is best? There’s only one way to find out. FIGHT!
Well alright maybe not. Perhaps just stick them together on a recording and let them play their favourite standards for 2 and a half hours. This is glorious music. Stan was nearing the end during this recording, and while some of the butter has gone from his tone, it only serves to make this music even more honest. This transcription is from the opening track of the double-album, and certainly well worth studying those lovely lines regardless of your instrument.
Posted on 3 June '11 by admin, under sax. No Comments.
Bill Evans used to say he never saw himself as a solo pianist and that early on in his career he wasn’t even that comfortable playing solo. However, his solo albums and renditions are generally considered to be some of the best solo jazz piano efforts.
Taken from the album Empathy – and a couple of other compilations – this version of Danny Boy is a sensitive long take on this great theme. It starts so gently this, truly beautiful. Within about 10 seconds Bill has you hooked.
Posted on 13 May '11 by admin, under piano. No Comments.
I’m really getting into David Hazeltine’s playing – if you’re not familiar with him, head over to this blog and grab some of his brilliant Venus albums. He combines the clarity of someone like Cedar Walton with a advanced harmonic talent of Bill Evans. He’s definitely no clone though and he has written many great tunes, especially ensemble efforts with the super group he plays in One for All.
This transcription is taken from the album Manhatten, with George Mraz and Billy Drummond and it showcases his utter command of the be-bop language wrapped up in something more modern. This one comes courtesy of John Groves. Enjoy!
One of my favourite Brad Mehldau albums is still his first Warner album ‘Introducing Brad Mehldau’. He was only 25 when he recorded it and it has a lovely fresh feel without the sometimes overly-cerebral tone of his later albums (brilliant though they are).
This is a transcription of his solo on the opening track and demonstrates the brilliant quick-silver imagination and rhythmic devices that he’d explore further down the line in his career. Enjoy!
Posted on 5 April '11 by admin, under piano. 2 Comments.
Something new for the Spring! This is the first of a series of posts that link through to my friend Bill’s site, www.jazzpianoonline.com.
Periodically Bill will post a transcription excerpt for piano that moves into a full-blown lesson on his site. JazzPianoOnline I think is the premier source for learning jazz piano online – it covers virtually everything from transcriptions, voicings, style guides for the famous pianists and arrangements.
Please note that you will need to subscribe, although the site is well worth a recurring monthly membership of $32, especially if you were still learning the ropes.
For this first post, Bill has transcribed a bit of Tommy Flanagan’s recording of Oleo(1977 album, Eclypso) to demonstrate an improv lesson of Chord Scale theory:
Enjoy! And – via the comments – let me and Bill know how you find it.
Posted on 28 March '11 by admin, under piano. 3 Comments.
Spotify playlist - Criss Cross jazz -
Thought it was about time I got round to publishing on of my Spotify playlists. Criss Cross - one of the very best labels at pushing out TOP contemporary jazz - is one of the labels using Spotify, which means there's a mass of great jazz from names such as Eric Alexander, Wycliffe Gordon, Jim Rotondi, Seamus Blake, David Hazeltine, etc etc. Anyway, check out my playlist here.
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